Kyuusetsuki Ookami
The wind blew softly as the full moon's lunar rays cast a soft glow upon the trees in the forest. Deep into the thickness of the leaves and branches sleeps a wolf girl. She is known as the Princess of the Forest. Her fur was soft on her wolfen ears and tail. Her hair was reddish orange, the same color as the Blood Moon.
She yawns as she hears a stick crack off in the distance. Her ears perk up and point towards the sound's direction. It turns out to be just a mere deer nuzzling around in the leaves for some fresh grass.
The wolf girl stands up, stretches and then looks around. She scans the area for anything dangerous. She catches a glimpse of a dark figure in the shadowy part of the clearing. It looks male and he looks as if he has wings.
She stares at him. He moves quickly and appears in front of the girl.
"Hey Princess." He smirked.
She shivered with both terror and arousal. She seems to be turned on by the dominancy of this strange male figure.
"I'm a Vampire." He said right before he bites her neck.
She moaned softly, enjoying the pain.
Just as he lets go, "You are now my mate. My name is Vampy, Im 1800 but 18 in Human years."
She blushed, Looking up at him, shaking slightly.
"I'm a Wolf and my name is Amethyst Wolfie but, you can just call me Wolfie. Im 150 but 15 in human years. And I don't mind being your mate. Forever shall we make love and destroy others' lives."



And... err, the sudden "romance" can be unnerving.
The grammar is atrocious, the plot is bland and unbelievable, not to mention your writing sucks. Your characters are obvious self inserts/wish fulfillment, and you really have no clear understanding of how the real world works.
why
Seriously, this is the most godawful piece of shit I've seen on this site.
Still, I'll give you some genuinely helpful advice, since all of us were shit at some stage.
1) The worst way to introduce a story is to describe the setting and then describe the characters (i.e. "This is a princess. She has orange hair."): if you really feel the need to let us know what the characters look like, weave it into the exposition, don't just blurt everything out in the introduction. For example, if you wanted to reveal in a short space of time that you have a protagonist with orange hair who is a princess:
"What're you doing out here at this hour, princess?"
She turned away from him, staring idly at the night sky, her facial expression hidden behind a curtain of orange locks.
See how much nicer that is?
2) Most of your sentences begin with "She"/"Her"/"It". A good writer will vary sentence starters as much as possible. A good way to do this is to rearrange the sentence. For example:
She sat down on the forest floor and sighed.
Can become
Sitting slowly, the girl heaved a sigh.
3) The fact that she trembles with "arousal" is astoundingly unnecessary and awkward, unless you're writing PWP (porn without plot). Nobody -- not even a wolf princess thing -- would be turned on by some guy materializing and proceeding to bite her. If you were walking down an alleyway at night and a strange man pulled down his pants and stuck it in you, would you be aroused? Even if he turned out to be a vampire? I'd surely hope not.
"I'm a Wolf and my name is Amethyst Wolfie but, you can just call me Wolfie. Im 150 but 15 in human years. And I don't mind being your mate. Forever shall we make love and destroy others' lives."
Also, "Wolfie" and "Vampy" are THE MOST retarded names to give to a werewolf and vampire character respectively. That's like naming a mermaid character "Mermaidy". It's stupid.
4) Awful dialog, I don't even know where to begin with this. Tell me, when you meet someone, do you introduce yourself by saying "I'm a human and by name is x, but you can call me y. I'm 15. Feel free to rape me."? And what the fuck kind of vampire would walk up to someone and go "I'm a vampire"?
Long story short, you need to look up some guides on writing realistic dialog. What you've written has no semblance whatsoever to the way people actually speak.
5) You changed tense halfway through the story. Not even the worst of the worst writers make that mistake. You begin the story in past tense ("the wind blew") and end it in present tense ("she blushes").
There's a lot more to be said, but that will do.